It’s tough being a white middle-class male. The main reason
it’s tough is that you don’t have much to complain about. Middle-class white
males are still the best paid and have the most opportunity. The fact that I
have neither money or opportunity is entirely my own fault. Being a white
middle-class male is also tough in comedy. White middle-class males still dominate
the field. There’s a lot of us. To stand out from the crowd you either have to be
really good (like Jack Whitehall) or absurdly well connected from birth (like
Jack Whitehall). That said, you do at least start off at a comedy night on a
level playing field. The crowd makes no particular judgement about what you
might or might not talk about and the assumption is that there is a reasonable
chance you’re going to be funny. There are lots of confident, white middle-class men on
the TV being funny. So you might be one of them.
On a Friday night in front of a rowdy, drunken audience at
the Chuckling Badger in Shitrag, Essex I’m very glad I’m not a woman. Because,
even in this day and age, a fair percentage of the crowd will doubt if women
are even funny. “She’s only going to come on and talk about her fackin period”
will be going through more than one head, and not just male heads either. Weird
that male comics can be expected to adopt any number of styles, and before a
woman even hits the stage, it’s anticipated that she’s going to be Jo Brand
circa 1988.
Unfunny man dressed as unfunny woman |
But it’s not just above pubs in regional dives where
misogyny dwells, even the national press aren’t altogether sure. Every six
months or so, someone will write an article posing exactly that question, usually
padded out with a cornflakes box psychologist saying that men have an
evolutionary imperative to attract women, and so use humour. They will take a
poll and most people will say that men are funnier than women, or humour isn’t
seen as an attractive quality in a woman, or men have a certain curvature of
the head which generates better quality jokes or other prejudicial fairytales.
If men make more jokes in a social situation, it’s because they are expected
to. If women make fewer jokes, it’s because they are expected to. Being funny
isn't necessarily a gender thing.
The strange thing is that, on any given night on the UK
circuit, female comedians are wildly more diverse than male comics. Ava Vidal
is a sardonic doom monger, Lou Sanders is a surrealist loon, new act Saskia
Preston does killer one-liners. Because there are usually so few female comics
on a bill (partly because that’s how promoters book it, and partly because there
are just fewer female comics) they are usually a breath of fresh air. Some
people may dread that women will come on and talk about periods. I don’t. I dread
that the next 20 something white middle class male will come on and do some
inadvisable and ill-conceived material on rape or pedophilia or something
being LITERALLY the funniest thing that ever happened, when it LITERALLY is not.
For me, the funniest comedy comes from the most desperate
places. It isn’t the high status alpha males that make me laugh, it’s those
people who are able to honestly and fearlessly show me something of their
vulnerability, the fact that they aren’t always dealing with life as they
should be, precariously skating the toilet seat of sanity. In that respect
women have the jump on men. If emotional awareness and battling insecurities
are the stuff of great comedy, women have it in the bag.
Park and Recreation's Leslie Knope |
Two of the world’s greatest English-language
comedic performers and writers of our times are women: Tina Fey and Amy Poehler.
Fey is best known for her adorable, oddball Liz Lemon character on Thirty Rock
(using the words adorable and oddball make me squirm, but here we are). Poehler
as the idealistic yet borderline maniacal Leslie Knope on Parks and Recreation.
Australia gifts us with the brilliant Jane Turner and Gina Riley of the hilarious
Kath and Kim and Britain scoops bronze with accident-prone Miranda Hart. The
future for female comedians is bright and once we can put baseless old
prejudices to bed the ‘weaker sex’ may inevitably prove themselves to be the
stronger performers.